IFA Berlin is one of the biggest consumer electronics exhibition in the world. I jumped on a train from Amsterdam and went there with the intention to visit everything related to VR. And there was a lot to see: HTC Vive, Sony Morpheus for developers and gamers, tons of Samsung Gear VR with various previews, Zeiss VR One for the high range VR glasses, lots of mid range VR glasses, Arte’s cross-platform for virtual reality, various Oculus demos and Roller Coasters… This was all interesting, but nothing that I didn’t already know about, until this: http://www.fraunhofer-cingo.com/
Fraunhofer institute has developed an amazing software for 3D sound experience! It analyzes any type of audio input your video has and adapts it in 3D space. All you need is your smartphone with VR glasses, and any, yes any!!! type of headphones and you have 360° video and sound.
Why is this so great?
Because until recently, and I speak from personal experience, to make a 360° video and have corresponding 360° sound was a huge challenge. For me it was amazing to see such a good and well functioning solution. I honestly thought it’ll take much longer.
So, I tried it and it worked great! (not perfect yet, I noticed some slight mismatches between spacial movements and sounds but it was nothing compared to the overall effectiveness) Oh, and one more thing, you can use it to simulate 5.1 (or any other set like 4.0 and so on) only with the two speakers of your computer, phone or smartphone!
Another indispensable tool for immersive film is here, check it out:)
Stumbled into this book with 3D images. Flipping back and forth through the pages reveals spaces and objects in a very realistic and surprising manner.
Ехота и Непреходи
Echoes and Timeless
Размисли върху разликите и приликите между преходите и промените.
Reflections on the differences and similarities between transitions and changes.
Short brilliant film by Canadian Filmmaker Arthur Lipsett
Wikipedia: “… The result is a 7 minute long film Very Nice, Very Nice which was nominated for the Academy Award for Best Short Subject, Live Action Subjects in 1962. Despite not winning the Oscar, this film brought Lipsett considerable praise from critics and directors. Stanley Kubrick was one of Lipsett’s fans, and asked him to create a trailer for his upcoming movie Dr. Strangelove. Lipsett declined Kubrick’s offer. Kubrick went on to direct the trailer himself; however, Lipsett’s influence on Kubrick is clearly visible in the released trailer.
Lipsett’s meticulous editing and combination of audio and visual montage was both groundbreaking and influential. His film 21-87 was a profound influence on director George Lucas, who used thematic approaches from 21–87 in THX 1138, his Star Wars films and also American Graffiti. Lucas has said that his use of the term the “The Force” in Star Wars was “an echo of that phrase in 21-87″. Lucas never met Lipsett, but tributes to 21–87 appear in several places in Star Wars. For example, the holding cell of Princess Leia in Star Wars Episode IV: A New Hope on the Death Star is cell No. 2187.…”
Very Nice Very Nice
One hour commission from our workshop with Lino Hellings.
Short video based on the beautiful poem by Dafina Gerogieva – Ronia:
The Kingdom Never
There was a kingdom by the name of Never.
In it lived a king called Not Here,
with his wife It Doesn’t Matter.
They had a boy with the beautiful name Nothing.
And he was Never there.
There was Nothing ever there.
And Nothing Ever Matters Anything.
A workshop lead by Nanouk Leopold
in which we worked on how to ‘reveal’ space:
The videos of my colleagues can be found here: